SW Photo Club

PROGRAM DESCRIPTION:
Studio ICM explores the creation of abstract photographic art through intentional camera movement within a controlled studio environment. Unlike traditional ICM, which often relies on natural light and spontaneous outdoor scenes, Studio ICM empowers the artist to shape every element—scene construction, lighting, and motion—resulting in evocative, painterly images that blur the line between photography and fine art.
In this presentation, David Day will share his approach to adapting camera movement techniques for the studio, including insights on camera and lens selection, scene design using everyday materials, and lighting strategies that enhance abstraction. He’ll also demonstrate how to build a portable studio setup tailored to this genre. Throughout the talk, David will showcase a range of his Studio ICM works to illustrate key concepts and inspire new possibilities in experimental image-making.

SPEAKER BIOGRAPHY
Trained as a pharmaceutical scientist, David specialized in uncovering hidden connections between medication use and avoidable health events. That analytical mindset became the foundation for his current photographic practice.
David’s journey began in the 1990s, capturing local scenery and historic landmarks around Fairfield, Connecticut. Early explorations in infrared photography and darkroom manipulation reflected his fascination with ethereal, dreamlike imagery. In 2020, David pivoted to intentional camera movement (ICM) to introduce motion, ambiguity, and emotional depth. A serendipitous image of three plastic-coated copper wires—created through an accidental gesture—became a turning point. Unable to replicate it using conventional ICM, David began a deeper inquiry.
He developed a systematic, studio-based approach to ICM, defining processes and equipment to transform everyday objects into images rich with pareidolic symbolism and dream resonance. This work evolved into Controlled Camera Chaos (C3).
Though visually complex, his images originate from simple materials found at home: wire, weeds, leaves, twigs, plastic bags, newsprint, tissue paper, ice, and glass. With orchestrated lighting and deliberate camera movement during extended exposures, David creates visuals that invite multiple interpretations—often triggering subconscious associations and memories of dream events.
C3 has led to three published books, multiple awards, and inclusion in juried exhibitions. David regularly speaks at art associations and camera clubs across the U.S. and Europe, sharing both the technical rigor and emotional undercurrents behind his work. He also leads discussions on the interplay between art and science, emphasizing how each discipline relies on the other for advancement.